Submission! Final Drawings

Seen above are my final submission Plans, drawn at 1:100. The changes i've made to these since the previous post are as follows:
- To enter, a person now must pass through an entrance that is primarily a block of glass, to further emphasize the notion of the lense. Whilst clear, the reflection and refrection that result from its density mean that the client retains a sense of privacy.

-Upper Level: The walls defining the entrance of the office, hair/make-up room, studio and storage have been eliminated. This gives a much more open area, which offers more flexibility and also gives a sense of freedom and accessibility. The sense of room is retained by the last known wall presence, and the storage is defined by a slightly heightened ceiling.

- The doors at the entrance have also been replaced by sliding glass doors. They seem more befitting as they provide a 'softer' sense of boundery and do not break the continuity of the lense curve


Notes in the setion are the inclusion of a skylight over the studio. Although Jullieit had explicitly said there was no need for natural lighting in the workspace, i felt its presence vital. It marks the space's significance to the outside, and provides an OPTION of having light if desired. This will have shutters and can be closed if required. Steps have also been developed to compensate for the slight gradient of the site.

Shown here are 2 1:50 poche diagrams demonstrating the lighting found in the 'peepshow' room. The single peephole window plays a minor role, and works are illuminated using small lamps hovering above. The dimmer lighting means a viewer would have to crouch much closer to view the intimate works.